Disturbed
Selasa, 20 September 2011
posting pertama
ini posting pertama saya ...... saya ingin menulis tentang mahluk mitos
1.Dragon
The dragon is a legendary creature of which some interpretation or depiction appears in almost every culture worldwide. The physical description and supposed abilities of the creature vary immensely according to the different cultures in which it appears. However, the unifying feature of almost all interpretations is it being a serpentine or otherwise reptilian monster (or at least possessing a serpentine/reptilian part or trait), and often possessing magical or spiritual qualities.
Dragons are usually shown in modern times with a body like a big lizard, or a snake with two pairs of lizard-type legs, and able to emit fire from its mouth. The European dragon has bat-type wings growing from its back. A dragon-like animal with no front legs and walking only on its back legs is a wyvern. Following discovery of how pterosaurs walked on the ground, some dragons have been drawn using the wings as front legs pterosaur-fashion when on the ground, as in this image and in the movie Reign of Fire.
Like most mythological creatures, dragons are perceived in different ways by different cultures. Dragons are sometimes said to breathe and spit fire or poison. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically feathered or scaly bodies. They are sometimes portrayed as having large yellow or red eyes, a feature that is the origin for the word for dragon in many cultures. They are sometimes portrayed with a row of dorsal spines, keeled scales, or leathery bat-like wings. Winged dragons are usually portrayed only in European dragons while Oriental versions of the dragon resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature. Modern depictions of dragons tend to be larger than their original representations, which were often smaller than humans.
Phoenix
A phoenix is a mythical bird with a tail of beautiful gold and red plumage (or purple and blue, by some sources [1]). It has a 600-800 year life-cycle, and near the end the phoenix builds itself a nest of cinnamon twigs that it then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self. In some stories, the new phoenix embalms the ashes of its old self in an egg made of myrrh and deposits it in the Egypt city of Heliopolis (sun city in Greek). The bird was also said to regenerate when hurt or wounded by a foe, thus being almost immortal and invincible — it is also said that it can heal a person with a tear from its eyes and make them temporarily immune to death; a symbol of fire and divinity.
The phoenix is a central figure in Lebanese ancient and modern cultures, as Lebanese are descendants of the Phoenicians and often claim themselves sons of the Phoenix. Lebanon, and Beirut particularly, is often depicted symbolically as a phoenix bird having been destroyed and rebuilt 7 times during its long history.
The phoenix in the Forbidden City, Beijing, China.In China, Fenghuang ("鳳凰") is a mythical bird superficially similar to the phoenix. It is the second most-respected legendary creature (second to the dragon), largely used to represent the empress and females. The phoenix is the leader of birds. In Japan, the phoenix is called hō-ō(kanji:"鳳凰") or fushichō (不死鳥, fushichō?); "Immortal Bird".
1.Dragon
The dragon is a legendary creature of which some interpretation or depiction appears in almost every culture worldwide. The physical description and supposed abilities of the creature vary immensely according to the different cultures in which it appears. However, the unifying feature of almost all interpretations is it being a serpentine or otherwise reptilian monster (or at least possessing a serpentine/reptilian part or trait), and often possessing magical or spiritual qualities.
Dragons are usually shown in modern times with a body like a big lizard, or a snake with two pairs of lizard-type legs, and able to emit fire from its mouth. The European dragon has bat-type wings growing from its back. A dragon-like animal with no front legs and walking only on its back legs is a wyvern. Following discovery of how pterosaurs walked on the ground, some dragons have been drawn using the wings as front legs pterosaur-fashion when on the ground, as in this image and in the movie Reign of Fire.
Like most mythological creatures, dragons are perceived in different ways by different cultures. Dragons are sometimes said to breathe and spit fire or poison. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically feathered or scaly bodies. They are sometimes portrayed as having large yellow or red eyes, a feature that is the origin for the word for dragon in many cultures. They are sometimes portrayed with a row of dorsal spines, keeled scales, or leathery bat-like wings. Winged dragons are usually portrayed only in European dragons while Oriental versions of the dragon resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature. Modern depictions of dragons tend to be larger than their original representations, which were often smaller than humans.
Phoenix
A phoenix is a mythical bird with a tail of beautiful gold and red plumage (or purple and blue, by some sources [1]). It has a 600-800 year life-cycle, and near the end the phoenix builds itself a nest of cinnamon twigs that it then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self. In some stories, the new phoenix embalms the ashes of its old self in an egg made of myrrh and deposits it in the Egypt city of Heliopolis (sun city in Greek). The bird was also said to regenerate when hurt or wounded by a foe, thus being almost immortal and invincible — it is also said that it can heal a person with a tear from its eyes and make them temporarily immune to death; a symbol of fire and divinity.
The phoenix is a central figure in Lebanese ancient and modern cultures, as Lebanese are descendants of the Phoenicians and often claim themselves sons of the Phoenix. Lebanon, and Beirut particularly, is often depicted symbolically as a phoenix bird having been destroyed and rebuilt 7 times during its long history.
The phoenix in the Forbidden City, Beijing, China.In China, Fenghuang ("鳳凰") is a mythical bird superficially similar to the phoenix. It is the second most-respected legendary creature (second to the dragon), largely used to represent the empress and females. The phoenix is the leader of birds. In Japan, the phoenix is called hō-ō(kanji:"鳳凰") or fushichō (不死鳥, fushichō?); "Immortal Bird".
Unicorn
A unicorn (from Latin unus 'one' and cornu 'horn') is a mythological creature. Though the modern popular image of the unicorn is sometimes that of a horse differing only in the horn on its forehead, the traditional unicorn also has a billy-goat beard, a lion's tail, and cloven hooves—these distinguish it from a horse. Marianna Mayer has observed (The Unicorn and the Lake), "The unicorn is the only fabulous beast that does not seem to have been conceived out of human fears. In even the earliest references he is fierce yet good, selfless yet solitary, but always mysteriously beautiful. He could be captured only by unfair means, and his single horn was said to neutralize poison."
In heraldry, a unicorn is depicted as a horse with a goat's cloven hooves and beard, a lion's tail, and a slender, spiral horn on its forehead.[11] Whether because it was an emblem of the Incarnation or of the fearsome animal passions of raw nature, the unicorn was not widely used in early heraldry, but became popular from the 15th century.[11] Though sometimes shown collared, which may perhaps be taken in some cases as an indication that it has been tamed or tempered, it is more usually shown collared with a broken chain attached, showing that it has broken free from its bondage and cannot be taken again.
It is probably best known from the royal coat of arms of Scotland and the United Kingdom: two unicorns support the Scottish arms; a lion and a unicorn support the UK arms. The arms of the Worshipful Society of Apothecaries in London has two golden unicorn supporters (although, as emblazoned on its homepage, they have horses', not lions', tails).
Pegasus
In Greek mythology, Pegasus (Greek: Πήγασος, Pégasos, 'strong') was a winged horse that was the son of Poseidon, in his role as horse-god, and the Gorgon Medusa.
Hesiod connects the name Pegasos with the word for "spring, well", pēgē; everywhere the winged horse struck his hoof to the earth, an inspiring spring burst forth: one on the Muses' Mount Helicon, the Hippocrene ("horse spring"), at the behest of Poseidon to prevent the mountain swelling too much and another at Troezen. The actual etymology of the name is most likely from Luwian pihassas "lightning", or pihassasas, a weather god (the god of lightning). In Hesiod, Pegasos is still associated with this original significance by carrying the thunderbolts for Zeus. Pegasus was at a well drinking silently when the hero Bellerophon came and captured him with a golden bridle that was given to him by Athena.
There are two versions of the winged stallion's birth and his brother Chrysaor:
One is that they sprang from Medusa's neck as Perseus beheaded her, a "higher" birth, like the birth of Athena from the head of Zeus.
Another says that they were born of the Earth as Medusa's blood spilled onto it, in which case Poseidon would not be their sire. A variation on this story holds that they were formed from the mingling of Medusa's blood and the sea foam, thus including Poseidon in their making.
Bellerophon caught and tamed Pegasus, and presented him to the Muses at Mount Parnassus. After he became the horse of the Muses, he was at the service of the poets.
Fire Horse
Through all the moons of many a year, the Fire Horse is a dynamic creature, with a vigor that promises youth and freshness until the very end of life. The will and the spirit of the Fire Horse cannot be broken. This Horse goes through life with philosophical patience and the ability to bounce back from adversity no matter how dire the circumstances. In times of solitude, Fire Horses also have an insatiable need for intellectual stimulation and they satisfy their curiosity for learning through reading, listening, conversing, and travel abroad. Fire Horses make inspiring leaders, revered and respected. They encourage their subordinates with kindness and just the right degree of strictness and work well with people in all stations of life. Financial rewards fall in the middle ground, not too bad, not terrific, but always comfortable. Being in love with the Fire Horse brings pure rapture. These noble Horses are generous with their love, with hugs and kisses. Loved ones always know where they stand because Fire Horses demonstrate every day through their actions the love they feel deep within. Each day is a soft and tender love poem
A unicorn (from Latin unus 'one' and cornu 'horn') is a mythological creature. Though the modern popular image of the unicorn is sometimes that of a horse differing only in the horn on its forehead, the traditional unicorn also has a billy-goat beard, a lion's tail, and cloven hooves—these distinguish it from a horse. Marianna Mayer has observed (The Unicorn and the Lake), "The unicorn is the only fabulous beast that does not seem to have been conceived out of human fears. In even the earliest references he is fierce yet good, selfless yet solitary, but always mysteriously beautiful. He could be captured only by unfair means, and his single horn was said to neutralize poison."
In heraldry, a unicorn is depicted as a horse with a goat's cloven hooves and beard, a lion's tail, and a slender, spiral horn on its forehead.[11] Whether because it was an emblem of the Incarnation or of the fearsome animal passions of raw nature, the unicorn was not widely used in early heraldry, but became popular from the 15th century.[11] Though sometimes shown collared, which may perhaps be taken in some cases as an indication that it has been tamed or tempered, it is more usually shown collared with a broken chain attached, showing that it has broken free from its bondage and cannot be taken again.
It is probably best known from the royal coat of arms of Scotland and the United Kingdom: two unicorns support the Scottish arms; a lion and a unicorn support the UK arms. The arms of the Worshipful Society of Apothecaries in London has two golden unicorn supporters (although, as emblazoned on its homepage, they have horses', not lions', tails).
Pegasus
In Greek mythology, Pegasus (Greek: Πήγασος, Pégasos, 'strong') was a winged horse that was the son of Poseidon, in his role as horse-god, and the Gorgon Medusa.
Hesiod connects the name Pegasos with the word for "spring, well", pēgē; everywhere the winged horse struck his hoof to the earth, an inspiring spring burst forth: one on the Muses' Mount Helicon, the Hippocrene ("horse spring"), at the behest of Poseidon to prevent the mountain swelling too much and another at Troezen. The actual etymology of the name is most likely from Luwian pihassas "lightning", or pihassasas, a weather god (the god of lightning). In Hesiod, Pegasos is still associated with this original significance by carrying the thunderbolts for Zeus. Pegasus was at a well drinking silently when the hero Bellerophon came and captured him with a golden bridle that was given to him by Athena.
There are two versions of the winged stallion's birth and his brother Chrysaor:
One is that they sprang from Medusa's neck as Perseus beheaded her, a "higher" birth, like the birth of Athena from the head of Zeus.
Another says that they were born of the Earth as Medusa's blood spilled onto it, in which case Poseidon would not be their sire. A variation on this story holds that they were formed from the mingling of Medusa's blood and the sea foam, thus including Poseidon in their making.
Bellerophon caught and tamed Pegasus, and presented him to the Muses at Mount Parnassus. After he became the horse of the Muses, he was at the service of the poets.
Fire Horse
Through all the moons of many a year, the Fire Horse is a dynamic creature, with a vigor that promises youth and freshness until the very end of life. The will and the spirit of the Fire Horse cannot be broken. This Horse goes through life with philosophical patience and the ability to bounce back from adversity no matter how dire the circumstances. In times of solitude, Fire Horses also have an insatiable need for intellectual stimulation and they satisfy their curiosity for learning through reading, listening, conversing, and travel abroad. Fire Horses make inspiring leaders, revered and respected. They encourage their subordinates with kindness and just the right degree of strictness and work well with people in all stations of life. Financial rewards fall in the middle ground, not too bad, not terrific, but always comfortable. Being in love with the Fire Horse brings pure rapture. These noble Horses are generous with their love, with hugs and kisses. Loved ones always know where they stand because Fire Horses demonstrate every day through their actions the love they feel deep within. Each day is a soft and tender love poem
Griffin
The griffin is a legendary creature with the body of a lion and the head and often wings of an eagle. As the lion was traditionally considered the king of the beasts and the eagle the king of the birds, the griffin was thought to be an especially powerful and majestic creature. Griffins are normally known for guarding treasure.[1] In antiquity it was a symbol of divine power and a guardian of the divine.[2]
Most contemporary illustrations give the griffin the forelegs of an eagle, with an eagle's legs and talons, although in some older illustrations it has a lion's forelimbs; it generally has a lion's hindquarters. Its eagle's head is conventionally given prominent ears; these are sometimes described as the lion's ears, but are often elongated (more like a horse's), and are sometimes feathered.
Infrequently, a griffin is portrayed without wings (or a wingless eagle-headed lion is identified as a griffin); in 15th-century and later heraldry such a beast may be called an alce or a keythong. In heraldry, a griffin always has forelegs like an eagle's hind legs; the beast with forelimbs like a lion's forelegs was distinguished by perhaps only one English herald of later heraldry as the opinicus; the word "opinicus" escaped the editors of the Oxford English Dictionary. The modern generalist calls it the lion-griffin, as for example, Robin Lane Fox, in Alexander the Great, 1973:31 and notes p. 506, who remarks a lion-griffin attacking a stag in a pebble mosaic at Pella, perhaps as an emblem of the kingdom of Macedon or a personal one of Alexander's successor Antipater.
After "griffin", the spelling gryphon is the most common variant in English, gaining popularity following the publication of Alice's Adventures in Wonderland as can be observed from usage in The Times and elsewhere. Less common variants include gryphen, griffen, and gryphin.; from Latin grȳphus, from Greek γρύψ gryps, from γρύπος grypos hooked. The spelling "griffon" (from Middle English and Middle French) was previously frequent but is now rare, probably to avoid confusion with the breed of dog called a griffon.
Cerberus
In Greek mythology, Cerberus or Kerberos (Greek Κέρβερος, Kérberos), the ker or daimon of Erebos[1] was the hound of Hades, a monstrous three-headed dog[2] with a snake for a tail and snakes down his back like a mane, whose analogs in other cultures are hellhounds. Other hell hounds included Orthus, his two-headed brother. Cerberus guarded the gate to Hades and ensured that spirits of the dead could enter, but none could exit. Among his siblings are Chimera and the Hydra. He is the offspring of Echidna and Typhon. In Dante's Inferno,[3], he appears as the guardian of the Circle of Gluttony, and is described as having a beard on each head. Cerberus is often described as once an ordinary pup, when he was mutated and captured by Hades to guard the gates of Tartarus across the river Styx. He has an appetite for live meat/flesh and attacks anyone but spirits. He is Hades's watch-dog.
Cerberus was overcome several times, with the aid of gods or superhuman talents:
Heracles' final labour was to capture Cerberus, which he did by wrestling it into submission.
Orpheus used his musical skills to lull Cerberus to sleep.
Hermes put him to sleep with water from the river Lethe.
In Virgil's Aeneid, the Sibyl of Cumae lulled Cerberus to sleep with drugged honeycakes in order to permit Aeneas fuller entry to the underworld.
In a Roman tale, Psyche also lulled Cerberus to sleep with drugged honeycakes.
In The Inferno, Cerberus punishes the gluttons and is passed by Virgil and Dante due to Virgil's throwing into one of his mouths some of the putrid earth found in the Third Circle.
In the Greek Oracle of the Dead at Cumae in southern Italy, the recently excavated subterranean shrine was found to contain giant chains fixed to the wall for three large dogs before the entrance to the shrine of Hades and Persephone. The three dogs would have represented Cerberus in this ancient temple.
Chimera
In Greek mythology, the Chimera (Greek Χίμαιρα (Chímaira); Latin Chimaera) was a monstrous creature of Lycia in Asia Minor, composed of the parts of multiple animals. The Chimera was one of the offspring of Typhon and Echidna and a sibling of such monsters as Cerberus and the Lernaean Hydra.
Homer's brief description in the Iliad[1] is the earliest surviving literary reference: "a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle,[2] and snorting out the breath of the terrible flame of bright fire".[3] Hesiod's Theogony follows the Homeric description: he makes the Chimera the issue of Echidna: "She was the mother of Chimaera who breathed raging fire, a creature fearful, great, swift-footed and strong, who had three heads, one of a grim-eyed lion; in her hinderpart, a dragon; and in her middle, a goat, breathing forth a fearful blast of blazing fire. Her did Pegasus and noble Bellerophon slay"[4] The author of the Bibliotheca concurs:[5] descriptions agree that it breathed fire. The Chimera is generally considered to have been female (see the quotation from Hesiod above) despite the mane adorning its lion's head. Sighting the Chimera[citation needed] was an omen of storms, shipwrecks, and natural disasters (particularly volcanoes).
While there are different genealogies, in one version the Chimera mated with her brother Orthrus and mothered the Sphinx and the Nemean Lion (others have Orthrus and their mother, Echidna, mating; most attribute all to Typhon and Echidna).
The Chimera was finally defeated by Bellerophon, with the help of Pegasus, at the command of King Iobates of Lycia. Since Pegasus could fly, Bellerophon shot the Chimera from the air, safe from her heads and breath.[6] A scholiast to Homer adds that he finished her off by equipping his spear with a lump of lead that melted when exposed to the Chimera's fiery breath and consequently killed her, an image drawn from metalworking.
The griffin is a legendary creature with the body of a lion and the head and often wings of an eagle. As the lion was traditionally considered the king of the beasts and the eagle the king of the birds, the griffin was thought to be an especially powerful and majestic creature. Griffins are normally known for guarding treasure.[1] In antiquity it was a symbol of divine power and a guardian of the divine.[2]
Most contemporary illustrations give the griffin the forelegs of an eagle, with an eagle's legs and talons, although in some older illustrations it has a lion's forelimbs; it generally has a lion's hindquarters. Its eagle's head is conventionally given prominent ears; these are sometimes described as the lion's ears, but are often elongated (more like a horse's), and are sometimes feathered.
Infrequently, a griffin is portrayed without wings (or a wingless eagle-headed lion is identified as a griffin); in 15th-century and later heraldry such a beast may be called an alce or a keythong. In heraldry, a griffin always has forelegs like an eagle's hind legs; the beast with forelimbs like a lion's forelegs was distinguished by perhaps only one English herald of later heraldry as the opinicus; the word "opinicus" escaped the editors of the Oxford English Dictionary. The modern generalist calls it the lion-griffin, as for example, Robin Lane Fox, in Alexander the Great, 1973:31 and notes p. 506, who remarks a lion-griffin attacking a stag in a pebble mosaic at Pella, perhaps as an emblem of the kingdom of Macedon or a personal one of Alexander's successor Antipater.
After "griffin", the spelling gryphon is the most common variant in English, gaining popularity following the publication of Alice's Adventures in Wonderland as can be observed from usage in The Times and elsewhere. Less common variants include gryphen, griffen, and gryphin.; from Latin grȳphus, from Greek γρύψ gryps, from γρύπος grypos hooked. The spelling "griffon" (from Middle English and Middle French) was previously frequent but is now rare, probably to avoid confusion with the breed of dog called a griffon.
Cerberus
In Greek mythology, Cerberus or Kerberos (Greek Κέρβερος, Kérberos), the ker or daimon of Erebos[1] was the hound of Hades, a monstrous three-headed dog[2] with a snake for a tail and snakes down his back like a mane, whose analogs in other cultures are hellhounds. Other hell hounds included Orthus, his two-headed brother. Cerberus guarded the gate to Hades and ensured that spirits of the dead could enter, but none could exit. Among his siblings are Chimera and the Hydra. He is the offspring of Echidna and Typhon. In Dante's Inferno,[3], he appears as the guardian of the Circle of Gluttony, and is described as having a beard on each head. Cerberus is often described as once an ordinary pup, when he was mutated and captured by Hades to guard the gates of Tartarus across the river Styx. He has an appetite for live meat/flesh and attacks anyone but spirits. He is Hades's watch-dog.
Cerberus was overcome several times, with the aid of gods or superhuman talents:
Heracles' final labour was to capture Cerberus, which he did by wrestling it into submission.
Orpheus used his musical skills to lull Cerberus to sleep.
Hermes put him to sleep with water from the river Lethe.
In Virgil's Aeneid, the Sibyl of Cumae lulled Cerberus to sleep with drugged honeycakes in order to permit Aeneas fuller entry to the underworld.
In a Roman tale, Psyche also lulled Cerberus to sleep with drugged honeycakes.
In The Inferno, Cerberus punishes the gluttons and is passed by Virgil and Dante due to Virgil's throwing into one of his mouths some of the putrid earth found in the Third Circle.
In the Greek Oracle of the Dead at Cumae in southern Italy, the recently excavated subterranean shrine was found to contain giant chains fixed to the wall for three large dogs before the entrance to the shrine of Hades and Persephone. The three dogs would have represented Cerberus in this ancient temple.
Chimera
In Greek mythology, the Chimera (Greek Χίμαιρα (Chímaira); Latin Chimaera) was a monstrous creature of Lycia in Asia Minor, composed of the parts of multiple animals. The Chimera was one of the offspring of Typhon and Echidna and a sibling of such monsters as Cerberus and the Lernaean Hydra.
Homer's brief description in the Iliad[1] is the earliest surviving literary reference: "a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle,[2] and snorting out the breath of the terrible flame of bright fire".[3] Hesiod's Theogony follows the Homeric description: he makes the Chimera the issue of Echidna: "She was the mother of Chimaera who breathed raging fire, a creature fearful, great, swift-footed and strong, who had three heads, one of a grim-eyed lion; in her hinderpart, a dragon; and in her middle, a goat, breathing forth a fearful blast of blazing fire. Her did Pegasus and noble Bellerophon slay"[4] The author of the Bibliotheca concurs:[5] descriptions agree that it breathed fire. The Chimera is generally considered to have been female (see the quotation from Hesiod above) despite the mane adorning its lion's head. Sighting the Chimera[citation needed] was an omen of storms, shipwrecks, and natural disasters (particularly volcanoes).
While there are different genealogies, in one version the Chimera mated with her brother Orthrus and mothered the Sphinx and the Nemean Lion (others have Orthrus and their mother, Echidna, mating; most attribute all to Typhon and Echidna).
The Chimera was finally defeated by Bellerophon, with the help of Pegasus, at the command of King Iobates of Lycia. Since Pegasus could fly, Bellerophon shot the Chimera from the air, safe from her heads and breath.[6] A scholiast to Homer adds that he finished her off by equipping his spear with a lump of lead that melted when exposed to the Chimera's fiery breath and consequently killed her, an image drawn from metalworking.
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